Most of the ornamental stones in the garden are peculiar in shape. They are single and of any size. When setting up these single stones, we should equip the surrounding space environment according to its size, description characteristics and local conditions. The big ones are only a few feet long, so they have to look around. For example, ruiyunfeng and guanyunfeng in Suzhou, yulinglong in Shanghai, etc. they have a large volume, so they must be set up in an open space to fully show their beauty. Small is more than inch, looking down, just see the wonderful, it is necessary to set up the corresponding small environment to set it off. At this time, the basin is the garden, the stone is the mountain, and the grass with a few stems is the luxuriant forest.
These visible scenes created by the edge of stone build a specific material environment for the generation of artistic conception, and provide the aesthetic goal and space for the generation of interest and the creation of artistic conception, but this is only the material basis for the generation of artistic conception. Whether the objective scenery contains vivid and profound meaning, and whether it can be understood and felt is the second condition for the formation of artistic conception. This is mainly reflected in the virtual use of "stone".